Showing posts with label encaustic painting. Show all posts
Showing posts with label encaustic painting. Show all posts

Tuesday, May 29, 2012

Tea and Textility: A Summit Adventure


Cup(s) of the Day #104
By Gwyneth Leech
Mixed media on upcycled paper coffee cups

As the month of May draws to a close and the temperature starts to climb, it is time for a parting thought of cool Spring. What a remarkably long flowery season it was this year, turbo charged by some unseasonably hot days in March that set everything off at once, then drawn out by weeks of colder weather!



On one chill Saturday of drizzle and daffodils, I persuaded my husband and 8 year old daughter to go with me to Summit New Jersey to catch the exhibition Textility before it closed at the Visual Arts Center of New Jersey. The exhibition statement read: "while there is a strong emphasis on materiality in contemporary art, we have seen an increasing number of artists who share a specific interest in textile-related materials and processes. We coined the word “textility” to describe these qualities and organized this exhibition to explore art that has a material or conceptual relationship to textiles." This sounded like one the Full Brew should not miss!

Not to mention that an afternoon train adventure is always pleasant, made even more so that day by flowering trees and the blaze of azaleas in Suburban gardens.

 
Jennifer Cecere, Mother 2011
Ripstop nylon

The art center is just a few blocks from the train station, but oh no! my daughter spied the playground across the street from the station as soon as we stepped outside. My husband and I looked at each other. I went on alone.



At the gallery, I was instantly taken with several highly ornamental artworks in the show - two "doilies", one by Jennifer Cecere, and one by Susan Starr, whose scale and unusual materials made a terrific impression, as did a gorgeous wall of fabric-themed paintings by Barbara Ellmann. In addition, an installation by Derek Melander - three totemic towers of gradated color formed from neatly folded second-hand clothing - was a show stopper.

Susan Starr, Dresser Doily, 2005
Hand-cut Mahogany wood veneer

Derek Melander, The Painful Spectacle of Finding Oneself, 2010
Second-hand clothing, wood and steel
 
 
Barbara Ellmann, Wherewithall, 2011, 
Encaustic on 12 wood panels

I wandered around  the galleries quite happily, finding many surprising and engaging artworks in this beautiful show curated by Mary Birmingham and Joanne Mattera, including a couple of rule-based installations by Debra Ramsay with 3-D elements, a new departure in her artwork.

Finally an awareness of increasing drizzle sent me back out the door and down the street to rejoin the others in the playground. They had preceded me to, well, the only other attraction near the train station - Hilltop Burger and Fries. My reception was a little grumpy, but the tea was waiting.

What kept you so long?
Tea brewing at Hilltop Burger and Fries,
Summit, NJ.

Untitled (dishrag), 2010
Ink, correction fluid on paper


In Two, Twice, with Yellow and Green, 2012
Thread, gauze, acrylic, paint, pins

Textility included:

Joell Baxter
Caroline Burton
Sharon Butler
Mary Carlson
Jennifer Cecere
Pip Culbert
Elisa D’Arrigo
Grace DeGennaro
Barbara Ellmann
Carly Glovinski
Elana Herzog
Marietta Hoferer
Nava Lubelski
Stephen Maine
Lael Marshall
Derick Melander
Sam Messenger
Sam Moyer
Lalani Nan
Aric Obrosey
Gelah Penn
Debra Ramsay
Susan Still Scott
Arlene Shechet
Susanna Starr
Leslie Wayne
Ken Weathersby
Peter Weber

For more photos and description of Textility, read Joanne Mattera's blog here and here.
A calendar of current exhibitions at the Art Center of New Jersey is available here.
Directions to the art center here.
 

Friday, April 27, 2012

In Praise of Procrastiwork



 
Cup of the day #102
Unfurling Leaves by Gwyneth Leech
Colored India Ink on white Ecotainer

A terrific article called "Procrastiworking Your Way to Creative Success" by An Xiao landed in my inbox the other day. The concept is that we should pay close attention to the things we actually do when we are not doing the things we think we are supposed to do. Drawing on cups is the perfect example! How many hours have I spent utterly committed to this art form while I was in my studio not painting in the traditional way on canvases?! And see where it has taken me - from a casual start with cup and pen at PTA meetings to major public art installations in the heart of Manhattan! These public presentations have in turn led to sales of cup drawings to collectors, to further exhibiton opportunities and to an avalanche of press coverage. The commitment and the passion we bring to the things that really grab our attention - even if those things seem absurd - can take us to fantastic and totally unexpected places!

Cup drawing installation by Gwyneth Leech
in the Sprint Flatiron Artspace, February 2012
800 cups drawings were the fruits of four years of serious procrastiwork
 Photo © Marianne Barcelonna, all rights reserved

But what happens when one starts to procrastinate the procrastiwork? I admit I have been in a slower mode since finishing a five month stint of intense creativity and public interaction in the Sprint Flatiron Artspace in NYC. I have not been drawing or writing. Instead I have been looking and listening around the city - enjoying the long flowery spring, going to other artists' exhibitions and catching up on some new directions in the art world, meeting friends for tea in the five boroughs, hanging out with my two daughters. In short, it has been a delightful period of re-energizing and I have a lot of new images and ideas to share here on the Full Brew over the next few weeks.

Taking a break to watch the garden grow, April 2012

During this time I have also been studying the 350 drawings and paintings I did on my coffee cups while in the Flatiron - executed in such an intense and forward moving way that I hadn't time before to absorb the wealth of new imagery and directions they suggest. I have been out to Barbara Ellmann's studio again, finishing the cups with an encaustic process and enjoying the opportunity to discuss a plethora of art, life and philosophical topics while I dipped cups in molten beeswax and she worked on her paintings.

Enjoying Spring and unfurling leaves
Clinton Community Garden, April 2012

And in my art studio on 39th Street I am currently designing a new installation of over 600 of the cup drawings which will ship out soon to a Texas museum. Details to come. Still to finish: photographing and cataloguing the cups, mapping the installation, and packing everything ready for art handlers to receive and install. At the end of the day, there is no rest for the weary procrastiworker. But at least we really, really love what we do!

"Procrastiworking Your Way to Creative Success" by An Xiao was posted on Hyperallergic
on April 24th. For the full article Click here.

 Tea break in Herald Square, April 2012


Thursday, January 27, 2011

Just About the Worst Cup of Tea


I have been going out to Barbara Ellmann's studio in Long Island City 
a lot over the last few weeks. She is facilitating the long-term preservation of my cup drawings through an encaustic process. 

Cup of the Day #64
Boiling Cup by Gwyneth Leech
 India ink on brown and white paper cups

I stand by her giant west facing windows all day, dipping cups in a molten solution of beeswax and Damar varnish. Then I slowly fuse the surface of each cup with a heat gun. Slow is not my usual way, so I have been learning to be more methodical and careful as I go, gently heating the wax surface rather than overheating and causing the wax to run right off the cup.

Barbara has a lot of tables in her studio because she teaches workshops for R & F, the encaustic paint manufacturer, on a regular basis. It has been wonderful to have the space to spread out the cups, and to walk around and see them in different lights. I began to stack them into tall structures the other day, tantilizingly totemic towers of ornamentation. This opens a whole window on scuplture!

I will be installing the massed cup exhibition in just over a month, so I am pressing on with treating the nearly 300 cups I have so far. A few more days should see the job accomplished.


Dipping Cups in Barbara Ellmann's studio
Long Island City
January 2011

The trip out to Barbara's studio on the N train is full of interest. Emerging above ground just before Queensborough Plaza, the train ascends along curving tracks that wind through the neighborhood, providing close views of water towers and the graffitied upper reaches of warehouses. From the elevated platfrom at 39th Ave-Beebe I descend a long narrow flight of stairs, and walk a few blocks to her studio. On 39th Avenue a new vista spreads before me across Long Island City to Manhattan, dominated by the red and white striped stacks of a power plant they call Big Alice.

There are a few small delis and bodegas along the way. I have tried each one but have found neither good coffee nor good tea. It is Litpon tea bag territory, served everywhere in the same thin blue and yellow patterned paper cup. The Lipton is bearable if two teabags are used, but getting exactly what I want in a deli-land of little English has proved difficult. Yesterday, already inside the studio, I took my first sip to discover that instead of two tea bags, milk, no sugar it was one tea bag, no milk and two sugars! Sugar in my tea was a bitter disappointment. But Barbara's electric tea kettle and her stash of Chai tea bags saved the day.

Sunset through water towers,
from the studio building
Long Island City
January 2011